Today
Open
10:00-18:00
To kick off 2022, the exhibition FUTURA will bring together a group of around thirty international artists who deal in their work with fundamental questions regarding temporality, sustainability and visions of the future. About 200 artworks on view engage in surprising dialogues across centuries and disciplines – and many of them are new, created especially for the exhibition. The show marks the 25th year of the ongoing work Tropfsteinmaschine (Dripstone Machine) (1996–2496) by Bogomir Ecker (b. 1950). Running right through the building from roof to base storey, the machine commenced operation with the opening of the Galerie der Gegenwart (Gallery for Contemporary Art of the Hamburger Kunsthalle) and is designed to run for 500 years. Through the interaction of rainwater, a plant biotope in the museum foyer, and a piece of limestone, a dripstone, or stalagmite, is gradually being formed. Visitors are taken on a mental journey into the future, inspiring the questions: What is time and how can it be represented and measured artistically? FUTURA expands on these issues to ask how we can shape the future and what art as an aesthetic category can contribute to a »future as a form of thought«. Bogomir Ecker, who is curating the show together with Brigitte Kölle (Head of Collection Contemporary Art), has designed the exhibition space as an associative and experimental framework for FUTURA. In an arrangement that resembles a playing field, he used recycled museum inventory to build a backdrop for manifestations of matter, change and transformation processes that also serves as a platform for the works of the participating artists.
All of the partition walls have been removed from the first floor of the Galerie der Gegenwart, creating an open exhibition space for the works of art, artefacts and natural objects on display. A drawing by Caspar David Friedrich from 1826 meets up with a contemporary photograph by Pierre Huyghe (b. 1962); Katinka Bock’s (b. 1976) ceramic installation Trostpfützen (Consolatory Puddles), made especially for the exhibition, encounters Gustave Courbet’s The Grotto of the Loue (1864); and geological meteorites turn up next to an immersive installation by the young Hamburg artist Elena Greta Falcini (b. 1986).