BAS JAN ADER

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Curator

Dr. Brigitte Kölle

Research Assistant

Julia Kersting

Press conference

Thursday, 10 April 2025, 11 am

Opening

Thursday, 10 April 2025, 7 pm

Exactly 50 years after his disappearance at sea, the Hamburger Kunsthalle is mounting a retrospective exhibition of the fascinating work of Dutch artist Bas Jan Ader (1942–1975). Ader is regarded as a seminal figure for subsequent generations of artists – a so-called »artists’ artist«. Legendary among insiders, his 16mm films, slide installations, photographs and videos, along with never-before-seen early works and documentary material can now be discovered by a wider audience in an exceptional and extensive retrospective.

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Bas Jan Ader’s oeuvre can be described as at once melancholy and absurd, emotional and conceptual, simple yet complex. He made a profession out of the theme of falling as a symbol of failure, exploring this subject in diverse photographic series and his famous 16mm films. The moment of loss of control became for him a conscious decision. Failure was merely an inevitable life experience. Ader continually sought to localise the human being existentially, setting out in quest of the hidden and the miraculous, all the while accepting the risk of bodily harm and ultimately his life. 
In 1963, Bas Jan Ader moved to Los Angeles, where he and his wife, Mary Sue, established a second home. As part of an artistic trilogy entitled »In search of the miraculous«, Ader set off in 1975, at the age of 33, in a small sailing boat from Cape Cod, Massachusetts, on a solo crossing of the Atlantic, heading for Falmouth in Great Britain. He would never reach his destination. Months later, the boat was found off the Irish coast, but Ader remained missing. With his disappearance at sea, the artist’s yearning, romantic search for the miraculous became a parable of human vulnerability and failure. 

Works were loaned for the exhibition by the Bas Jan Ader Estate, by American lenders, and by collections in Holland, Belgium, France and Germany.

 

The publication accompanying the exhibition (in English, Verlag der Buch-handlung Walther und Franz König, Cologne) combines reprints of important contributions to the research, texts offering new findings, published here for the first time, insightful conversations with those who knew the artist as well as previously unpublished images. The book is available in the museum shop for 39.80 euros or can be ordered online at www.freunde-der-kunsthalle.de.

Haspa-Galerie:
The Hamburger Sparkasse has been committed to supporting the Hamburger Kunsthalle for many years. As a token of gratitude for this generous support, the 2nd storey of the Galerie der Gegenwart, where the exhibition is being shown, is named the »Haspa-Galerie«.

Press release

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Press Spokeswoman & Head of Press and Public Relations
Mira Forte
Bas Jan Ader (1942–1975), Broken fall (organic), Amsterdamse Bos, Holland, 1971, © The Estate of Bas Jan Ader / Mary Sue Ader Andersen / VG Bild-Kunst, Bonn 2024 Courtesy of Meliksetian | Briggs, Dallas
Bas Jan AderBroken fall (organic), Amsterdamse Bos, Holland, 1971
Bas Jan Ader (1942–1975) The boy who fell over Niagara Falls, 1972 Fotografische Dokumentation der Performance im Kabinett für aktuelle Kunst, Bremerhaven, 1972 © Jürgen Wesseler / Kabinett für aktuelle Kunst, Bremerhaven / VG Bild-Kunst, Bonn 2025
Bas Jan Ader Bas Jan Ader (1942–1975) The boy who fell over Niagara Falls, 1972 , 1972
Bas Jan Ader (1942–1975) I’m too sad to tell you, 1970-71 © The Estate of Bas Jan Ader / Mary Sue Ader Andersen / VG Bild-Kunst, Bonn 2024. Courtesy of Meliksetian / Briggs, Dallas
Bas Jan Ader I’m too sad to tell you, 1970-71
Bas Jan Ader (1942–1975) Light vulnerable objects threatened by eight cement bricks [Detail], 1970 Installation dokumentiert durch 14 35-mm-Dias mit Kugelschreiberbeschriftung sowie digitalisiertes 16- mm-Filmmaterial; Acht Gegenstände, Seil und Zementschlackenblöcke © The Estate of Bas Jan Ader / Mary Sue Ader Andersen / VG Bild-Kunst, Bonn 2025. Courtesy of Meliksetian | Briggs, Dallas
Jan Bas AderLight vulnerable objects threatened by eight cement bricks [Detail], 1970
Bas Jan Ader (1942–1975) Fall 2, Amsterdam, 1970 © The Estate of Bas Jan Ader / Mary Sue Ader Andersen / VG Bild-Kunst, Bonn 2024. Courtesy of Meliksetian / Briggs, Dallas
Bas Jan Ader Fall 2, Amsterdam, 1970
Bas Jan Ader (1942–1975) Light vulnerable objects threatened by eight cement bricks [Detail], 1970 Installation dokumentiert durch 14 35-mm-Dias mit Kugelschreiberbeschriftung sowie digitalisiertes 16- mm-Filmmaterial; Acht Gegenstände, Seil und Zementschlackenblöcke © The Estate of Bas Jan Ader / Mary Sue Ader Andersen / VG Bild-Kunst, Bonn 2025. Courtesy of Meliksetian | Briggs, Dallas
Bas Jan Ader Light vulnerable objects threatened by eight cement bricks [Detail], 1970
Bas Jan Ader (1942–1975), Untitled (The elements), 1971/2003 © The Estate of Bas Jan Ader / Mary Sue Ader Andersen / VG Bild-Kunst, Bonn 2024. Courtesy of Meliksetian / Briggs, Dallas
Bas Jan AderUntitled (The elements), 1971/2003
Bas Jan Ader (1942–1975) In Search of the Miraculous (One Night in Los Angeles), 1973 © The Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2024 / VG Bild-Kunst, Bonn 2024. Courtesy of Meliksetian | Briggs, Dallas
Bas Jan AderIn Search of the Miraculous (One Night in Los Angeles), 1973
Mary Sue Ader Andersen und Bas Jan Ader vor dem Kabinett für aktuelle Kunst Bremerhaven, 1972 © Jürgen Wesseler / Kabinett für aktuelle Kunst, Bremerhaven
Mary Sue Ader Andersen und Bas Jan Ader vor dem Kabinett für aktuelle Kunst Bremerhaven, 1972
Bas Jan Ader (1942–1975) Broken Fall (geometric), Westkapelle – Holland, 1971 C-Print, 40 x 29,5 cm Defares Collection © The Estate of Bas Jan Ader / Mary Sue Ader Andersen / VG Bild-Kunst, Bonn 2025. Courtesy of Meliksetian | Briggs, Dallas
Bas Jan Ader (1942–1975)Broken Fall (geometric), Westkapelle – Holland, 1971
Bas Jan Ader (1942–1975) Please Don’t Leave Me, 1969 Silbergelatineabzug, Edition von 3 © The Estate of Bas Jan Ader / Mary Sue Ader Andersen / VG Bild-Kunst, Bonn 2024. Courtesy of Meliksetian / Briggs, Dallas
Bas Jan AderPlease Don’t Leave Me, 1969
Bas Jan Ader verlässt in seinem Boot Ocean Wave den Hafen in Chatham (Massachusetts) für seine Trilogie In search of the miraculous, 9. Juli 1975
Bas Jan Ader verlässt in seinem Boot Ocean Wave den Hafen in Chatham (Massachusetts) für seine Trilogie In search of the miraculous, 9. Juli 1975
Bas Jan Ader (1942–1975) Pitfall on the way to a New Neo Plasticism, Westkapelle, Holland, 1971 C-Print, 40 x 29,5 cm, Edition von 3 © The Estate of Bas Jan Ader / Mary Sue Ader Andersen / VG Bild-Kunst, Bonn 2025. Courtesy of Meliksetian | Briggs, Dallas
Bas Jan Ader Pitfall on the way to a New Neo Plasticism, Westkapelle, Holland, 1971
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