Illusion
With a comprehensive exhibition spanning several epochs, the Hamburger Kunsthalle will shed light on the diverse facets of the theme of illusion in art, from the Old Masters to today. Ever since antiquity, artists everywhere have been making use of the âtrompe-lâoeilâ technique, and it was particularly popular in the Renaissance and Baroque eras. The desire for illusionistic renderings then waned during the Romantic period, but this type of art never completely disappeared from the repertoire and it continues to fascinate artists to this day. The exhibition will show how illusion means far more than merely deceiving the eye. It is manifested in the (illusionistic) self-love of Narcissus as well as in spatial illusions in architecture, in the play of concealing and revealing via the pictorial motifs of the curtain and the mask, in the meaning of the open or closed window to the world, and in depictions of visions and dreams. Based on some 150 paintings, drawings, prints, photographs, sculptures, installations and video works, the show traces the many different forms taken by hyperrealism, reality, fiction, dream, transformation and deception. Among the exhibits are major works from the Hamburger Kunsthalle as well as loans from national and international collections.
Art theoretical, philosophical and psychological positions from Plato to Leon Battista Alberti, Friedrich Nietzsche, Theodor W. Adorno, Sigmund Freud, AndrĂ© Breton and Jean Baudrillard accompany the artistic explorations of the theme of illusion and encourage viewers to critically question the reliability of their own perception and their image of supposed reality. Sigmar Polke posed in 1976 the provocative question: âCan you always believe your eyes?â Against the backdrop of fake news and artificial intelligence, this question has taken on a new momentum and topicality, so that the theme of the exhibition ties in with debates in todayâs society. Â
Artists featured in the exhibition:
Helene Appel, Hans Arp, Thomas Baldischwyler, Max Beckmann, Paris Bordone, Carl Gustav Carus, Marc Chagall, Jean-Baptiste SimĂ©on Chardin, Adriaen Coorte, Lovis Corinth, Edgar Degas, Robert Delaunay, Johann Friedrich Dieterich, Gerrit Dou, Wilhelm Schubert von Ehrenberg, Lars Eidinger, Elmgreen & Dragset, James Ensor, Max Ernst, M. C. Escher, Juan FernĂĄndez, Charles de la Fosse, Caspar David Friedrich, Johann Heinrich FĂŒssli, Xaver Fuhr, Jean-LĂ©on GĂ©rĂŽme, Cornelis Gijsbrechts, Nan Goldin, Francisco de Goya, Andreas Greiner, Duane Hanson, Vilhelm HammershĂži, Johann Georg Hinz, David Hockney, Samuel van Hoogstraten, Roni Horn, Gerard Houckgeest, Horst Janssen, Alexander Kanoldt, Howard Kanovitz, Anish Kapoor, Oskar Kokoschka, Jens Lausen, François Lemoyne, Lorenzo Lippi, Simon Luttichuys, Alfred Madsen, RenĂ© Magritte, Tony Matelli, Stefan Marx, Hans Memling, Adolph Menzel, Frans van Mieris d. Ă., Piet Mondrian, Ron Mueck, Giovanni Battista Piranesi, Sigmar Polke, Gerhard Richter, Joachim Ringelnatz, Jan van Rossum, Pieter Jansz. Saenredam, Godfried Schalcken, Markus Schinwald, Oskar Schlemmer, Georg Schrimpf, Cindy Sherman, Kiki Smith, Antoine van Steenwinckel, Theodoor van Thulden, Nikos Valsamakis, Victor Vasarely, Wolf Vostell, Friedrich Wasmann, John William Waterhouse, Jacob de Wit, Francisco de ZurbarĂĄn
Supported by: Freunde der Kunsthalle e.V., Ernst von Siemens Kunststiftung, Behörde fĂŒr Kultur und Medien
